Poulin Contest List of 18 Semi-Finalists

March 15th, 2010
A. Poulin, Jr. Poet, translator, founder of BOA Editions

A. Poulin, Jr. Poet, translator, founder of BOA Editions

We’ve been asked to share the list of the 18 semi-finalists for the 9th annual A. Poulin, Jr. Poetry Prize contest. These manuscripts were sent to final judge Tony Hoagland who then made the final winning selection. Each of these manuscripts stood-out in its own way, so applause and kudos to the poets. While we don’t generally name official “semi-finalists” we’re happy to provide the list of the manuscripts that Tony Hoagland received. These appear in no particular order and include the winning manuscript, Walking the Dog’s Shadow by Deborah Brown, along with the finalists Red Appetites by Laura Bastian, Soldier’s Apology by Kerry James Evans, and Pathology of Goodness by Karen Zaborowski Duffy.

Kerry James Evens – Soldier’s Apology

Sass Brown – USA 1000

Noah Blaustein – Happiness Studies

Alison Powell – On the Desire to Levitate

Dilruba Ahmed – Dhaka Dust

Stacey Waite – Butch Geography

Ingrid Browning Moody – Arriving After Dark

Laurel Bastian – Red Appetites

Kate Fetherston – Cast of Fools and Angels

Dave Snyder – Pica

Ben Berman – Close to Closure

Karen Zaborowski Duffy – Pathology of Goodness

Miriam Bird Greenberg – A Child’s Primer of Augury

Deborah Brown – Walking the Dog’s Shadow

Danusha Lemeris – What Remains

Maureen Thorson – Up She Rises

Maureen Micus Crisick – To Love the World This Way

Heather Dubrow – Forms and Hollows

The Winner of the 2010 A. Poulin, Jr. Poetry Prize is…

March 10th, 2010
Deborah Brown. Winner of the 2010 Poulin Prize.

Deborah Brown. Winner of the 2010 Poulin Prize.

Deborah Brown is the 2010 A. Poulin, Jr. Poetry Prize winner for her first collection of poems, Walking the Dog’s Shadow. Tony Hoagland selected this manuscript from 18 finalists and will write a Foreword to the published collection. Brown will receive a $1,500 honorarium and book publication by BOA Editions, Ltd. in March, 2011, in the A. Poulin, Jr. New Poets of America Series.  

An annual competition, the A. Poulin, Jr. Poetry Prize is open to poets who have yet to publish a full-length-book collection of poetry. This year’s runner-ups were Red Appetites by Laura Bastian; Soldier’s Apology by Kerry James Evans; and Pathology of Goodness by Karen Zaborowski Duffy. Deborah Brown’s winning manuscript was chosen from a field of 780 entries. Tony Hoagland says, “Deborah Brown’s poems remind me a little of the great Polish poet, Wislawa Szymborska. They both make thinking look easy. Overwhelmed and ashamed of the world, unqualified to fix anything, Brown’s speaker remains calmly capable of thought. ‘I’m writing to you from inside,/ in the thick of it’ she says. And also, ‘Bowling alone is no solution.’ And ‘In college I was sure I had a soul…What was I thinking?’ In Brown’s poems, our glasses (which we need, because the eyes aren’t what they used to be) have somehow been misplaced. First she locates them. With them, she finds a thread, which she follows down the winding corridors and stairways, to the deep part of the poem, where it touches life. Brown’s poems aren’t just about a eureka moment; they taste of the whole journey. Walking the Dog’s Shadow is a beautiful book, wise and sure of itself, fresh with wit and gravity, serious and true.”

Deborah Brown says, “A. Poulin Jr.’s Contemporary American Poetry is a book I carried with me for years. It introduced me to the new American poets. To win the A. Poulin, Jr. Poetry Prize and to be published by BOA Editions is an honor.”

BOA Editions will accept manuscripts for the tenth annual A. Poulin, Jr. Poetry Prize between August 1, 2010 and November 30, 2010.  An entry form and fee are required. The guidelines for the 2011 A. Poulin, Jr. Poetry Prize will be announced on www.boaeditions.org later this year.

Deborah Brown is a Professor of English at University of New Hampshire at Manchester. With Maxine Kumin and Annie Finch, she co-edited Lofty Dogmas: Poets on Poetics (University of Arkansas Press, 2005), an anthology of poets’ writings on technical and aesthetic issues in poetry. Her poems have appeared in such literary journals as Prairie Schooner, the Alaska Quarterly Review, Margie, Rattle and The Women’s Review of Books. Her chapbook of poems, News from the Grate, appeared in 2003. With Richard Jackson and Susan Thomas she co-translated Giovanni Pascoli Last Voyage: Selected Poems which will be published by Red Hen Press in 2010. Deborah Brown graduated from Wellesley College with a B.A. in English, received an M.F.A. in Poetry from Warren Wilson College and a Ph.D. in English and American literature from UNH. She lives with her husband and three cats on a former dairy farm in the woods of Warner, NH.

Tony Hoagland was born in 1953 in Fort Bragg, North Carolina. His collections of poetry include What Narcissism Means to Me (Graywolf Press, 2003), a finalist for the National Book Critics Circle Award; Donkey Gospel (1998), which received the James Laughlin Award; and Sweet Ruin (1992), chosen by Donald Justice for the 1992 Brittingham Prize in Poetry and winner of the Zacharis Award from Emerson College. Hoagland’s other honors include two grants from the National Endowment for the Arts, a fellowship to the Provincetown Fine Arts Work Center, the O.B. Hardison Prize for Poetry and Teaching from the Folger Shakespeare Library, and the Poetry Foundation’s 2005 Mark Twain Award. He currently teaches at the University of Houston and Warren Wilson College.

BOA Editions, Ltd. is one of the premier independent publishers of contemporary poetry and literary fiction. Founded in 1976 by A. Poulin, Jr. to provide a venue for both new and established poets to be published, BOA has released more than 220 titles, including two dozen books of poetry in translation. Many BOA titles and authors have been recognized with literary awards, including the National Book Award and the Pulitzer Prize in Poetry. 

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Delirious Hem Tribute to Lucille Clifton

March 9th, 2010
delirious_hem

Delirious Hem is a blog for female poets, by female poets, that describes itself thusly: ”It’s a blog, it’s a poetics journal, it’s a platform. From time to time, a post will appear. It will be written by or with a poet whom some of us were curious to hear from. It will be exciting, provocative, fresh, or bombastic. It will go with your eyes and it will make you look ten years younger. It will never stop stop making sense, it will always love you, it will probably work.”

Delirious Hem is now featuring a tribute to Lucille Clifton with poems and statements by such poets as Naomi Shihab Nye, Aimee Nezhukumatathil, and Evie Shockley, with more being added in the coming weeks. It’s really a beautiful group of reflections on Lucille’s work and presence.

Check it out here [ Delirious Hem's Tribute to Lucille Clifton]

Taking dictation from some celestial narrator

March 5th, 2010
Michael Blumenthal. BOA poet.

Michael Blumenthal. BOA poet.

Poet David Kirby has been teaching Michael Blumenthal’s new book AND to his students at Florida State University – and the students have been eating it up. (What smart students!) In the process of teaching, David has been asking Michael, via email, to discuss some of his writing process on the book. I was fortunate enough to catch the tail end of that discussion and asked Michael to put together a concise paragraph that I could share on the BOA blog. Thanks to Michael for sharing these words on AND, which Publishers Weekly praised by saying, “ ”Few new books of American poems have more unity—or more happiness—than the latest from Blumenthal…”

Michael Blumenthal on the writing of AND: 

AND by Michael Blumenthal

AND by Michael Blumenthal

“I tend to be—as was my poetic “mentor,” Howard Nemerov—a “waiter” when it comes to the writing of poems, which is to say that I prefer waiting for something akin to inspiration, or at least the genuine spark of an idea or piece of language, before sitting down to write. I thus “waited” 18 years to write AND from the time the triggering idea first came to me, in 1989. It was then that I wrote the poem “And the Wages of Goodness Are Not Assured” (the title poem of my 1992 book, THE WAGES OF GOODNESS). At the time, I remember thinking to myself that I would one day like to write a book ALL of whose poems began with that wonderful conjunction. And so I waited until 2003-2004, when the poems began to “come.” In every case, the title came first, and then I simply allowed it to “flow,” relatively unmediatedly, into the poem until it had exhausted itself. There was, really, not much “editing” involved, nor much conscious reflection—I tend to think of these poems as what Yeats called “a dredging operation into the unconscious”– but the subjects themselves were issues I had, in some ways, been thinking about all my adult life. Then, around 2006 or so, the poems stopped, almost as suddenly as they came. This was exactly as was the case with my book-length poem LAPS, where 212 of those short poems originally “came,” then stopped. God,–or the gods– only know where it all “comes” from… but it does feel, without hubris, a bit like taking dictation from some celestial narrator, whoever he, she or they may be.”

Interview with Naomi Shihab Nye

March 4th, 2010
Naomi Shihab Nye. BOA Poet.

Naomi Shihab Nye. BOA Poet.

“Well, we need to keep extending imaginations, pressing, repeating, invoking, suggesting what other realities might exist, instead of the nightmares of war and hatred and conflict.”

Naomi Shihab Nye’s above response during an interview with Cerise Press is as good a summation of her poetics as I’ve ever heard. The interview digs into the intersection – and possibilities – of the intersection between art and politics (by which I mean: peace).

Read the interview here [Cerise Press Interview with Naomi Shihab Nye]

El Paso Times Raves About Cool Auditor

March 3rd, 2010
Ray Gonzalez. BOA poet.

Ray Gonzalez. BOA poet.

Here’s a great review of Cool Auditor by Ray Gonzales from the El Paso Times. You can read the start below and then read the complete review here: [El Paso Times Review of Cool Auditor]

“Ray Gonzalez’s newest book, “Cool Auditor: Poems” (BOA Editions, $16 paperback), is a collection of prose poems that reveals this prolific writer at the height of his powers.

Gonzalez, an El Paso native and a professor of creative writing at the University of Minnesota in Minneapolis, has published 10 previous books of poetry, as well as three collections of essays and two short-story collections.

The prose poem form (paragraphs that do not resemble the classic poetic stanza) allows Gonzalez to blend all written genres in such a manner to stretch his poetic canvas and maximize expressive freedom.”

NPR’s “All Things Considered” Tribute to Lucille Clifton

March 2nd, 2010

Lucille Clifton. Photo credit Mark Lennihan/AP.David Gura from NPR’s “All Things Considered” put together a beautiful tribute to Lucille that was broadcasted last weekend. The piece begins:

“As a girl growing up in the 1940s on Lake Erie, Lucille Clifton never thought she would become a poet.

“The only poets I ever saw were the portraits that hung on the walls in elementary school in Buffalo, N.Y.,” she said in 1993. “Old, dead white men, with beards, from New England.”

Clifton did not look like Henry Wadsworth Longfellow or John Greenleaf Whittier or Walt Whitman. She was a woman and an African-American, and later, a wife and a mother of six children.

But Clifton did become a poet — and after a long, successful career, she died on Feb. 13 at age 73 from complications from cancer.”

You can listen to the entire broadcast here [NPR Tribute to Lucille Clifton]

Watch Bill Moyers tribute to Lucille Clifton

March 1st, 2010
Bill Moyers Journal.

Bill Moyers Journal.

The tribute to Lucille by Bill Moyers was one of the most beautiful pieces on a poet I have ever seen. Lucille’s readings are powerful, playful, deadly serious, and passionate. Moyers eloquently described the impact of her work and the combination of interviews, readings, and information about Lucille’s career presented a well-rounded portrait of the poet.

In his introduction to the piece, Moyer’s said, “The long arc of morality that bends toward justice leads not only through the courthouse and the statehouse but out on the streets and in the pages of poetry and prose. Luckily for the rest of us, there are writers who in words both beautiful and bold can express rage at injustice. But they don’t stop there, they help us experience sorrow and joy through an intimate knowledge of our tempestuous human nature. We lost one of those gifted people the other day- one of our most popular poets, my friend, Lucille Clifton.”

You can watch the entire tribute here:  [Bill Moyers Tribute to Lucille Clifton

Bill Moyers + Weekend Edition tributes to Lucille Clifton

February 25th, 2010
Lucille signing her BOA books. Photo by Robb Cohen.

Lucille signing her BOA books. Photo by Robb Cohen.

This weekend, Lucille Clifton’s poetic legacy will be honored nationally on television and radio:

Bill Moyers Journal will air a tribute to Lucille tomorrow night. The show airs on PBS and starts at 9PM EST. A complete schedule list is available at the show’s website: http://www.pbs.org/moyers/journal/index-flash.html

On radio, NPR’s “Weekend Edition” will air a 4-5 minute tribute to Lucille including clips of her reading from her BOA books. A complete schedule list is available at the show’s website: http://www.npr.org/templates/rundowns/rundown.php?prgId=7

Both of these tributes will undoubtedly be moving and memorable.

Washington Post tribute to Lucille Clifton

February 25th, 2010
Lucille Clifton accepting the 2000 National Book Award (AP Photo)

Lucille Clifton accepting the 2000 National Book Award (AP Photo)

Matt Schudel wrote a moving tribute to Lucille that appeared in The Washington Post. The piece starts with a striking image from Lucille’s girlhood:

“When she was a girl, Lucille Clifton sat on her mother’s lap and listened to her recite poetry. Her mother never made it through elementary school, but she knew the power of language, and her poems stayed in her daughter’s head forever.

But another memory seared itself in young Lucille’s memory, too: when her father said no wife of his would be a poet. She watched as her thwarted mother threw her pages of verse into a burning furnace.”

Read the whole story here: [Washington Post tribute to Lucille Clifton]