Poetry
Kingdom Animalia
Winner of the 2011 Isabella Gardner Poetry Award
The poems in this highly anticipated second book are elegiac poems, as concerned with honoring our dead as they are with praising the living. Through Aracelis Girmay’s lens, everything is animal: the sea, a jukebox, the desert. In these poems, everything possesses a system of desire, hunger, a set of teeth and language. These are poems about what is both difficult and beautiful about our time here on earth.
"Elegy"
What to do with this knowledge
that our living is not guaranteed?
Perhaps one day you touch the young branch
of something beautiful. & it grows & grows
despite your birthdays & the death certificate,
& it one day shades the heads of something beautiful
or makes itself useful to the nest. Walk out
of your house, then, believing in this.
Nothing else matters.
All above us is the touching
of strangers & parrots,
some of them human,
some of them not human.
Listen to me. I am telling you
a true thing. This is the only kingdom.
The kingdom of touching;
the touches of the disappearing, things.
© BOA Editions, Ltd. 2011
$17.00
About the Author
About the Author
Aracelis Girmay is the author of four books of poems: GREEN OF ALL HEADS (BOA Editions, 2025); the black maria (BOA Editions, 2016); Teeth (Curbstone Press, 2007), winner of the GLCA New Writers Award; and Kingdom Animalia (BOA Editions, 2011), winner of the 2011 Isabella Gardner Poetry Award and a finalist for the National Book Critics Circle Award and the Hurston/Wright Legacy Award. She is also the author/illustrator of the collage-based picture book changing, changing.
For her work, Girmay was nominated for a Neustadt International Prize for Literature in 2018. For the last several years, Girmay was on the faculty of Hampshire College's School for Interdisciplinary Arts and before that taught community writing workshops with young people in New York and California. She has received grants, training, and fellowships in support of her work from the NEA, the Whiting Foundation, Civitella Ranieri, the Cave Canem Foundation, and the Community~Word Project, among other programs. From 2021-2025, Girmay served as the editor of BOA Editions' Blessing the Boats Selections and is on the editorial board of the African Poetry Book Fund.
She is the editor of How to Carry Water: Selected Poems of Lucille Clifton (BOA, 2020) and So We Can Know: Writers of Color on Pregnancy, Loss, Abortion, and Birth (Haymarket Books).