Poetry

Primitive: The Art and Life of Horace H. Pippin

A lyrical and biographical reflection on the art and life of Horace H. Pippin—the best-known African American artist of his time—Primitive offers a searching critique of the condescension to African American folk art as supposedly “primitive,” and it also critiques the underestimation of African American life and imagination in the broader American consciousness. Award-winning poet Janice N. Harrington connects readers to this fascinating, odds-defying artist, all while underscoring the human craving for artistic expression.

“The Speller”

Writing with your rigid shoulder, with the weaker
Hand, two years after the Great War, you try
to shape words that you could not spell, sounding
Them out—raineing, playen, bob wir, infinze—rolling

them on your tongue like Demonsthenes’ stones,
leaden shot spat out at shying targets. In a notebook
you bend the language:

hell place, nomansland—and make in ink
Uncertain places—Leeon, Oregon, Caintenerzair,
Moperycort. But words are poor gazetteers,
Compasses for the lost. We stumble

over consonants and vowels. We are strugglers
in our own language. What to call the ripped earth
Where boys wait in ditches beneath bursting shells?
You called it terribell grond of sarro, spelled
so that we hear the voices ringing with terror,
The howl of the o, and the deeper o of sorrow.

Praise for Primitive

“In her innovative and incisive third book of poems, Primitive, Janice N. Harrington shows us the great revelations possible in the intersections of history and poetry. These elegantly-crafted poems explore the aftermath of war, Jim Crow America, and American visual art through the life and art of the painter Horace H. Pippin. This collection is both a historical reflection and an ekphrastic object, masterfully rendered from found texts, paintings, notebooks, and the ephemera surrounding the painter and his work. It is through Pippin’s pictures and pigments, both paint and skin, that we see the complex beauty of the artist—a beauty that announces itself in bold colors in spite of the bigger machines of oppression that so often worked in opposition to his artistry.”—Adrian Matejka

“In Primitive, the artist Horace H. Pippin is less a lens and more a prism through which Janice N. Harrington watches humanity with a careful eye. Harrington’s skill with image is undeniable, and her ability to intertwine ekphrasis, biography, history, and interior landscape results in a text that is much more than a book of poems without ever ceasing to be a moving and radiant example of one.”—Jamaal May

FormatPaperback

Publication DateOctober 11, 2016

ISBN978-1-942683-20-9

$16.00

About the Author

Janice N. Harrington’s writing explores cultural history, the natural world, visual arts, and African American life in the South and Midwest. Her latest poetry collection, Yard Show, won the Anisfield-Wolf Book Award, was a finalist for the PEN/Voelcker Award, and was longlisted (top 10) for the National Book Critics Circle Award. It follows her earlier collections: Even the Hollow My Body Made Is Gone, The Hands of Strangers, and Primitive: The Art and Life of Horace H. Pippin. Her first book won the A. Poulin Jr. Poetry Prize and the Kate Tufts Discovery Award. Harrington is also an award-winning children’s author. Her first picture book, Going North, received the Ezra Jack Keats Award, and she has since published numerous picture books, including biographies and a verse novel. A Cave Canem fellow, she is the Clayton and Thelma Kirkpatrick Professor of English at the University of Illinois Urbana-Champaign. She lives in Champaign, Illinois, where she regularly visits prairies, Black history sites, and spaces that celebrate books.

For more information about Janice N. Harrington, visit www.janiceharrington.com.